The four stories in each section explore the relationship between the mothers and the daughters at the same stage. One series of stories focuses on Suyuan Woo, who comes to America inhaving lost her family, including twin daughters, during war. She does not know her daughters were rescued. Now remarried, she settles in San Francisco, has a daughter, Jing-mei Juneand starts a Joy Luck Club similar to one in China with three other women.
Each has an individual struggle to overcome within the novel. Suyuan and Jing-Mei, however, seem to be the central figures whose story most closely unifies the plot.
Suyuan is the founder of the Joy Luck Club, the tie that binds the stories, and Jing-Mei is the new representative of her family and her generation.
On a secondary level, the protagonist is the Chinese culture and heritage, which struggles to survive and prosper in the American culture. Each of the stories of the mothers and daughters clearly depicts this struggle.
When the Japanese invaded China, Suyuan was forced to leave her daughters behind and travel to safety in America.
When she has another daughter, she names her Jing-Mei and endows her with a legacy of purity and a memory of her sisters who came before her.
In the end, Jing-Mei travels to China and finds her lost twin sisters. The other women also struggle against opponents. Rose must fight Ted to retain the house even though he is divorcing her.
Lena struggles with Harold and considers divorcing him. Waverly must fight her mother about getting remarried. The Chinese culture fights for survival throughout the novel. The Americanized daughters of the Joy Luck Club resist their mothers and their histories without even fully understanding or knowing them.
They seek to be a part of the American culture and want to be independent and different from their mothers. Most of them try to minimize their Chinese appearance and heritage. It is a victory of the old over the new and the mothers over the daughters.
There are additional climaxes for the other women in the book. Waverly finally tells her mother she is going to remarry. Lena acknowledges the unhappiness in her marriage and tells Harold that their married life is dull and mechanized. Outcome The plot ends in comedy, with the protagonist overcoming the antagonist in every case.
Waverly begins to reconcile with her mother and reflect more on the culture from which she comes. Rose stands up for herself, gaining the strength to do so from her mother.The Joy Luck Club is a American drama film about the relationships between Chinese-American women and their Chinese immigrant mothers.
It was directed by Wayne Wang and stars Ming-Na Wen, Rosalind Chao, Lauren Tom, Tamlyn Tomita, France Nguyen, Kieu Chinh, Lisa Lu and Tsai Chin. The film is based on the eponymous novel by Amy Tan, who co-wrote the screenplay with Ronald .
MySheepRock Aug 03 am This drama is a good one (I have to say). If I would rate the drama itself, I would rate it a 7/ The cinematography and the plot itself was very interesting.
The casting of the drama was spot-on and also 80% of the scenes. Major Themes in Amy Tan's The Joy Luck Club. Learn and understand all of the themes found in The Joy Luck Club, such as Mother-Daughter Relationships.
Learn how the author incorporated them and why. A summary of Themes in Amy Tan's The Joy Luck Club. Learn exactly what happened in this chapter, scene, or section of The Joy Luck Club and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
Amy Tan, a Chinese-American woman, uses the cultural values of Chinese women in American culture in her novel, The Joy Luck Club. These cultural values shape the outcome of The Joy Luck Club. The two cultural value systems create conflict between the characters. The Joy Luck Club is a novel written by Amy Tan.
It focuses on four Chinese American immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of mahjong for money while feasting on a variety of foods/5.